J Milburn: clean up using AWB
clean up using AWB
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From beyond the grave or from: Deathrock – Revision history
Crescentia: Undid revision 212913919 by 77.101.38.74 (talk)Stop reverting. They describe themselves as Drakwave on their LJ page
Undid revision 212913919 by 77.101.38.74 (talk)Stop reverting. They describe themselves as Drakwave on their LJ page
| ? Previous revision | Revision as of 00:59, 17 May 2008 | ||
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Nearly 20 years after deathrock and goth first appeared on the music scenes in Southern California and London, the deathrock revival began in Southern California. During 1998 in [[Long Beach, California]], owners of the Que Sera, a local bar asked Jeremy “Jermz” Meza and friends, to throw a one-night “old school” Gothic Halloween party. After the success of the one-off party, the event quickly evolved into a regular deathrock club called Release the Bats<ref>[http://www.releasethebats.info/ ReleaseTheBats.info]</ref> and a focal point in California for the reemerging deathrock movement. (The club is named after a song by the Australian band [[The Birthday Party (band)|the Birthday Party]].)
|
Nearly 20 years after deathrock and goth first appeared on the music scenes in Southern California and London, the deathrock revival began in Southern California. During 1998 in [[Long Beach, California]], owners of the Que Sera, a local bar asked Jeremy “Jermz” Meza and friends, to throw a one-night “old school” Gothic Halloween party. After the success of the one-off party, the event quickly evolved into a regular deathrock club called Release the Bats<ref>[http://www.releasethebats.info/ ReleaseTheBats.info]</ref> and a focal point in California for the reemerging deathrock movement. (The club is named after a song by the Australian band [[The Birthday Party (band)|the Birthday Party]].)
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| - |
The current deathrock movement is similar to the original deathrock scene in Los Angeles and the Batcave movement in London,<ref>[http://kisskissbangbang.bravehost.com/faq1.html KissKissBangBang.com]</ref> but more unified in the US, UK, and Europe through various record labels. In addition to clubs, the current scene is centered around concerts, special events, parties, and horror movie screenings, as well as bands like Ex-VoTo,Cinema Strange, [[Bloody Dead And Sexy]], [[Chants of Maldoror]], [[Cauda Pavonis]] and [[Tragic Black]]. The [[internet]] is playing a major role in the deathrock revival. There are [[websites]] devoted to the discussion deathrock [[music]], [[Band (music)|bands]] and [[fashions]] as well as horror movies, such as [http://www.deathrock.com deathrock.com] and [http://www.post-punk.com post-punk.com], plus [[Electronic mailing list|mailing lists]] for deathrockers on various online virtual communities, such as [[MySpace]].
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+ |
The current deathrock movement is similar to the original deathrock scene in Los Angeles and the Batcave movement in London,<ref>[http://kisskissbangbang.bravehost.com/faq1.html KissKissBangBang.com]</ref> but more unified in the US, UK, and Europe through various record labels. In addition to clubs, the current scene is centered around concerts, special events, parties, and horror movie screenings, as well as bands like Ex-VoTo,Cinema Strange, [[Bloody Dead And Sexy]], [[Chants of Maldoror]], and [[Tragic Black]]. The [[internet]] is playing a major role in the deathrock revival. There are [[websites]] devoted to the discussion deathrock [[music]], [[Band (music)|bands]] and [[fashions]] as well as horror movies, such as [http://www.deathrock.com deathrock.com] and [http://www.post-punk.com post-punk.com], plus [[Electronic mailing list|mailing lists]] for deathrockers on various online virtual communities, such as [[MySpace]].
|
|
There has been a shift to a more post-punk sound as a result of the influence of the European bands of the 80s. Second, there is the apolitical influence of [[psychobilly]] which discourages political debates that have the potential to fragment the scene (however a couple of famous death rock acts, [[TSOL]] and [[Rudimentary Peni]], were originally [[anarcho-punk]] bands, and there is still some slight crossover between the two scenes). The [[Drop Dead Festival]], which is similar to psychobilly’s Hootenanny, gives bands with smaller fan bases an opportunity to play before larger crowds.<ref>[http://www.metroactive.com/papers/metro/07.18.02/allshookdown-0229.html MetroActive.com]</ref>
|
There has been a shift to a more post-punk sound as a result of the influence of the European bands of the 80s. Second, there is the apolitical influence of [[psychobilly]] which discourages political debates that have the potential to fragment the scene (however a couple of famous death rock acts, [[TSOL]] and [[Rudimentary Peni]], were originally [[anarcho-punk]] bands, and there is still some slight crossover between the two scenes). The [[Drop Dead Festival]], which is similar to psychobilly’s Hootenanny, gives bands with smaller fan bases an opportunity to play before larger crowds.<ref>[http://www.metroactive.com/papers/metro/07.18.02/allshookdown-0229.html MetroActive.com]</ref>
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From beyond the grave or from: Deathrock – Revision history
77.101.38.74: /* Revival */
Revival
| ? Previous revision | Revision as of 21:04, 16 May 2008 | ||
| Line 73: | Line 73: | ||
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Nearly 20 years after deathrock and goth first appeared on the music scenes in Southern California and London, the deathrock revival began in Southern California. During 1998 in [[Long Beach, California]], owners of the Que Sera, a local bar asked Jeremy “Jermz” Meza and friends, to throw a one-night “old school” Gothic Halloween party. After the success of the one-off party, the event quickly evolved into a regular deathrock club called Release the Bats<ref>[http://www.releasethebats.info/ ReleaseTheBats.info]</ref> and a focal point in California for the reemerging deathrock movement. (The club is named after a song by the Australian band [[The Birthday Party (band)|the Birthday Party]].)
|
Nearly 20 years after deathrock and goth first appeared on the music scenes in Southern California and London, the deathrock revival began in Southern California. During 1998 in [[Long Beach, California]], owners of the Que Sera, a local bar asked Jeremy “Jermz” Meza and friends, to throw a one-night “old school” Gothic Halloween party. After the success of the one-off party, the event quickly evolved into a regular deathrock club called Release the Bats<ref>[http://www.releasethebats.info/ ReleaseTheBats.info]</ref> and a focal point in California for the reemerging deathrock movement. (The club is named after a song by the Australian band [[The Birthday Party (band)|the Birthday Party]].)
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||
| - |
The current deathrock movement is similar to the original deathrock scene in Los Angeles and the Batcave movement in London,<ref>[http://kisskissbangbang.bravehost.com/faq1.html KissKissBangBang.com]</ref> but more unified in the US, UK, and Europe through various record labels. In addition to clubs, the current scene is centered around concerts, special events, parties, and horror movie screenings, as well as bands like Ex-VoTo,Cinema Strange, [[Bloody Dead And Sexy]], [[Chants of Maldoror]], and [[Tragic Black]]. The [[internet]] is playing a major role in the deathrock revival. There are [[websites]] devoted to the discussion deathrock [[music]], [[Band (music)|bands]] and [[fashions]] as well as horror movies, such as [http://www.deathrock.com deathrock.com] and [http://www.post-punk.com post-punk.com], plus [[Electronic mailing list|mailing lists]] for deathrockers on various online virtual communities, such as [[MySpace]].
|
+ |
The current deathrock movement is similar to the original deathrock scene in Los Angeles and the Batcave movement in London,<ref>[http://kisskissbangbang.bravehost.com/faq1.html KissKissBangBang.com]</ref> but more unified in the US, UK, and Europe through various record labels. In addition to clubs, the current scene is centered around concerts, special events, parties, and horror movie screenings, as well as bands like Ex-VoTo,Cinema Strange, [[Bloody Dead And Sexy]], [[Chants of Maldoror]], [[Cauda Pavonis]] and [[Tragic Black]]. The [[internet]] is playing a major role in the deathrock revival. There are [[websites]] devoted to the discussion deathrock [[music]], [[Band (music)|bands]] and [[fashions]] as well as horror movies, such as [http://www.deathrock.com deathrock.com] and [http://www.post-punk.com post-punk.com], plus [[Electronic mailing list|mailing lists]] for deathrockers on various online virtual communities, such as [[MySpace]].
|
|
There has been a shift to a more post-punk sound as a result of the influence of the European bands of the 80s. Second, there is the apolitical influence of [[psychobilly]] which discourages political debates that have the potential to fragment the scene (however a couple of famous death rock acts, [[TSOL]] and [[Rudimentary Peni]], were originally [[anarcho-punk]] bands, and there is still some slight crossover between the two scenes). The [[Drop Dead Festival]], which is similar to psychobilly’s Hootenanny, gives bands with smaller fan bases an opportunity to play before larger crowds.<ref>[http://www.metroactive.com/papers/metro/07.18.02/allshookdown-0229.html MetroActive.com]</ref>
|
There has been a shift to a more post-punk sound as a result of the influence of the European bands of the 80s. Second, there is the apolitical influence of [[psychobilly]] which discourages political debates that have the potential to fragment the scene (however a couple of famous death rock acts, [[TSOL]] and [[Rudimentary Peni]], were originally [[anarcho-punk]] bands, and there is still some slight crossover between the two scenes). The [[Drop Dead Festival]], which is similar to psychobilly’s Hootenanny, gives bands with smaller fan bases an opportunity to play before larger crowds.<ref>[http://www.metroactive.com/papers/metro/07.18.02/allshookdown-0229.html MetroActive.com]</ref>
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From beyond the grave or from: Deathrock – Revision history
Rtz-bot: robot Adding: lt:Death Rock
robot Adding: lt:Death Rock
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From beyond the grave or from: Deathrock – Revision history
Crescentia: Undid revision 212292943 by 77.101.38.74 (talk)No agreement yet. Stop reverting.
Undid revision 212292943 by 77.101.38.74 (talk)No agreement yet. Stop reverting.
| ? Previous revision | Revision as of 13:37, 14 May 2008 | ||
| Line 73: | Line 73: | ||
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Nearly 20 years after deathrock and goth first appeared on the music scenes in Southern California and London, the deathrock revival began in Southern California. During 1998 in [[Long Beach, California]], owners of the Que Sera, a local bar asked Jeremy “Jermz” Meza and friends, to throw a one-night “old school” Gothic Halloween party. After the success of the one-off party, the event quickly evolved into a regular deathrock club called Release the Bats<ref>[http://www.releasethebats.info/ ReleaseTheBats.info]</ref> and a focal point in California for the reemerging deathrock movement. (The club is named after a song by the Australian band [[The Birthday Party (band)|the Birthday Party]].)
|
Nearly 20 years after deathrock and goth first appeared on the music scenes in Southern California and London, the deathrock revival began in Southern California. During 1998 in [[Long Beach, California]], owners of the Que Sera, a local bar asked Jeremy “Jermz” Meza and friends, to throw a one-night “old school” Gothic Halloween party. After the success of the one-off party, the event quickly evolved into a regular deathrock club called Release the Bats<ref>[http://www.releasethebats.info/ ReleaseTheBats.info]</ref> and a focal point in California for the reemerging deathrock movement. (The club is named after a song by the Australian band [[The Birthday Party (band)|the Birthday Party]].)
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||
| - |
The current deathrock movement is similar to the original deathrock scene in Los Angeles and the Batcave movement in London,<ref>[http://kisskissbangbang.bravehost.com/faq1.html KissKissBangBang.com]</ref> but more unified in the US, UK, and Europe through various record labels. In addition to clubs, the current scene is centered around concerts, special events, parties, and horror movie screenings, as well as bands like Ex-VoTo,Cinema Strange, [[Bloody Dead And Sexy]], [[Chants of Maldoror]], [[Cauda Pavonis]] and [[Tragic Black]]. The [[internet]] is playing a major role in the deathrock revival. There are [[websites]] devoted to the discussion deathrock [[music]], [[Band (music)|bands]] and [[fashions]] as well as horror movies, such as [http://www.deathrock.com deathrock.com] and [http://www.post-punk.com post-punk.com], plus [[Electronic mailing list|mailing lists]] for deathrockers on various online virtual communities, such as [[MySpace]].
|
+ |
The current deathrock movement is similar to the original deathrock scene in Los Angeles and the Batcave movement in London,<ref>[http://kisskissbangbang.bravehost.com/faq1.html KissKissBangBang.com]</ref> but more unified in the US, UK, and Europe through various record labels. In addition to clubs, the current scene is centered around concerts, special events, parties, and horror movie screenings, as well as bands like Ex-VoTo,Cinema Strange, [[Bloody Dead And Sexy]], [[Chants of Maldoror]], and [[Tragic Black]]. The [[internet]] is playing a major role in the deathrock revival. There are [[websites]] devoted to the discussion deathrock [[music]], [[Band (music)|bands]] and [[fashions]] as well as horror movies, such as [http://www.deathrock.com deathrock.com] and [http://www.post-punk.com post-punk.com], plus [[Electronic mailing list|mailing lists]] for deathrockers on various online virtual communities, such as [[MySpace]].
|
|
There has been a shift to a more post-punk sound as a result of the influence of the European bands of the 80s. Second, there is the apolitical influence of [[psychobilly]] which discourages political debates that have the potential to fragment the scene (however a couple of famous death rock acts, [[TSOL]] and [[Rudimentary Peni]], were originally [[anarcho-punk]] bands, and there is still some slight crossover between the two scenes). The [[Drop Dead Festival]], which is similar to psychobilly’s Hootenanny, gives bands with smaller fan bases an opportunity to play before larger crowds.<ref>[http://www.metroactive.com/papers/metro/07.18.02/allshookdown-0229.html MetroActive.com]</ref>
|
There has been a shift to a more post-punk sound as a result of the influence of the European bands of the 80s. Second, there is the apolitical influence of [[psychobilly]] which discourages political debates that have the potential to fragment the scene (however a couple of famous death rock acts, [[TSOL]] and [[Rudimentary Peni]], were originally [[anarcho-punk]] bands, and there is still some slight crossover between the two scenes). The [[Drop Dead Festival]], which is similar to psychobilly’s Hootenanny, gives bands with smaller fan bases an opportunity to play before larger crowds.<ref>[http://www.metroactive.com/papers/metro/07.18.02/allshookdown-0229.html MetroActive.com]</ref>
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||
From beyond the grave or from: Deathrock – Revision history
77.101.38.74: Undid revision 212270064 by Crescentia (talk)
Undid revision 212270064 by Crescentia (talk)
| ? Previous revision | Revision as of 06:05, 14 May 2008 | ||
| Line 73: | Line 73: | ||
|
Nearly 20 years after deathrock and goth first appeared on the music scenes in Southern California and London, the deathrock revival began in Southern California. During 1998 in [[Long Beach, California]], owners of the Que Sera, a local bar asked Jeremy “Jermz” Meza and friends, to throw a one-night “old school” Gothic Halloween party. After the success of the one-off party, the event quickly evolved into a regular deathrock club called Release the Bats<ref>[http://www.releasethebats.info/ ReleaseTheBats.info]</ref> and a focal point in California for the reemerging deathrock movement. (The club is named after a song by the Australian band [[The Birthday Party (band)|the Birthday Party]].)
|
Nearly 20 years after deathrock and goth first appeared on the music scenes in Southern California and London, the deathrock revival began in Southern California. During 1998 in [[Long Beach, California]], owners of the Que Sera, a local bar asked Jeremy “Jermz” Meza and friends, to throw a one-night “old school” Gothic Halloween party. After the success of the one-off party, the event quickly evolved into a regular deathrock club called Release the Bats<ref>[http://www.releasethebats.info/ ReleaseTheBats.info]</ref> and a focal point in California for the reemerging deathrock movement. (The club is named after a song by the Australian band [[The Birthday Party (band)|the Birthday Party]].)
|
||
| - |
The current deathrock movement is similar to the original deathrock scene in Los Angeles and the Batcave movement in London,<ref>[http://kisskissbangbang.bravehost.com/faq1.html KissKissBangBang.com]</ref> but more unified in the US, UK, and Europe through various record labels. In addition to clubs, the current scene is centered around concerts, special events, parties, and horror movie screenings, as well as bands like Ex-VoTo,Cinema Strange, [[Bloody Dead And Sexy]], [[Chants of Maldoror]], and [[Tragic Black]]. The [[internet]] is playing a major role in the deathrock revival. There are [[websites]] devoted to the discussion deathrock [[music]], [[Band (music)|bands]] and [[fashions]] as well as horror movies, such as [http://www.deathrock.com deathrock.com] and [http://www.post-punk.com post-punk.com], plus [[Electronic mailing list|mailing lists]] for deathrockers on various online virtual communities, such as [[MySpace]].
|
+ |
The current deathrock movement is similar to the original deathrock scene in Los Angeles and the Batcave movement in London,<ref>[http://kisskissbangbang.bravehost.com/faq1.html KissKissBangBang.com]</ref> but more unified in the US, UK, and Europe through various record labels. In addition to clubs, the current scene is centered around concerts, special events, parties, and horror movie screenings, as well as bands like Ex-VoTo,Cinema Strange, [[Bloody Dead And Sexy]], [[Chants of Maldoror]], [[Cauda Pavonis]] and [[Tragic Black]]. The [[internet]] is playing a major role in the deathrock revival. There are [[websites]] devoted to the discussion deathrock [[music]], [[Band (music)|bands]] and [[fashions]] as well as horror movies, such as [http://www.deathrock.com deathrock.com] and [http://www.post-punk.com post-punk.com], plus [[Electronic mailing list|mailing lists]] for deathrockers on various online virtual communities, such as [[MySpace]].
|
|
There has been a shift to a more post-punk sound as a result of the influence of the European bands of the 80s. Second, there is the apolitical influence of [[psychobilly]] which discourages political debates that have the potential to fragment the scene (however a couple of famous death rock acts, [[TSOL]] and [[Rudimentary Peni]], were originally [[anarcho-punk]] bands, and there is still some slight crossover between the two scenes). The [[Drop Dead Festival]], which is similar to psychobilly’s Hootenanny, gives bands with smaller fan bases an opportunity to play before larger crowds.<ref>[http://www.metroactive.com/papers/metro/07.18.02/allshookdown-0229.html MetroActive.com]</ref>
|
There has been a shift to a more post-punk sound as a result of the influence of the European bands of the 80s. Second, there is the apolitical influence of [[psychobilly]] which discourages political debates that have the potential to fragment the scene (however a couple of famous death rock acts, [[TSOL]] and [[Rudimentary Peni]], were originally [[anarcho-punk]] bands, and there is still some slight crossover between the two scenes). The [[Drop Dead Festival]], which is similar to psychobilly’s Hootenanny, gives bands with smaller fan bases an opportunity to play before larger crowds.<ref>[http://www.metroactive.com/papers/metro/07.18.02/allshookdown-0229.html MetroActive.com]</ref>
|
||
From beyond the grave or from: Deathrock – Revision history
Crescentia: Undid revision 212224636 by Darqmann (talk)
Undid revision 212224636 by Darqmann (talk)
| ? Previous revision | Revision as of 03:06, 14 May 2008 | ||
| Line 73: | Line 73: | ||
|
Nearly 20 years after deathrock and goth first appeared on the music scenes in Southern California and London, the deathrock revival began in Southern California. During 1998 in [[Long Beach, California]], owners of the Que Sera, a local bar asked Jeremy “Jermz” Meza and friends, to throw a one-night “old school” Gothic Halloween party. After the success of the one-off party, the event quickly evolved into a regular deathrock club called Release the Bats<ref>[http://www.releasethebats.info/ ReleaseTheBats.info]</ref> and a focal point in California for the reemerging deathrock movement. (The club is named after a song by the Australian band [[The Birthday Party (band)|the Birthday Party]].)
|
Nearly 20 years after deathrock and goth first appeared on the music scenes in Southern California and London, the deathrock revival began in Southern California. During 1998 in [[Long Beach, California]], owners of the Que Sera, a local bar asked Jeremy “Jermz” Meza and friends, to throw a one-night “old school” Gothic Halloween party. After the success of the one-off party, the event quickly evolved into a regular deathrock club called Release the Bats<ref>[http://www.releasethebats.info/ ReleaseTheBats.info]</ref> and a focal point in California for the reemerging deathrock movement. (The club is named after a song by the Australian band [[The Birthday Party (band)|the Birthday Party]].)
|
||
| - |
The current deathrock movement is similar to the original deathrock scene in Los Angeles and the Batcave movement in London,<ref>[http://kisskissbangbang.bravehost.com/faq1.html KissKissBangBang.com]</ref> but more unified in the US, UK, and Europe through various record labels. In addition to clubs, the current scene is centered around concerts, special events, parties, and horror movie screenings, as well as bands like Ex-VoTo,Cinema Strange, [[Bloody Dead And Sexy]], [[Chants of Maldoror]], [[Cauda Pavonis]] and [[Tragic Black]]. The [[internet]] is playing a major role in the deathrock revival. There are [[websites]] devoted to the discussion deathrock [[music]], [[Band (music)|bands]] and [[fashions]] as well as horror movies, such as [http://www.deathrock.com deathrock.com] and [http://www.post-punk.com post-punk.com], plus [[Electronic mailing list|mailing lists]] for deathrockers on various online virtual communities, such as [[MySpace]].
|
+ |
The current deathrock movement is similar to the original deathrock scene in Los Angeles and the Batcave movement in London,<ref>[http://kisskissbangbang.bravehost.com/faq1.html KissKissBangBang.com]</ref> but more unified in the US, UK, and Europe through various record labels. In addition to clubs, the current scene is centered around concerts, special events, parties, and horror movie screenings, as well as bands like Ex-VoTo,Cinema Strange, [[Bloody Dead And Sexy]], [[Chants of Maldoror]], and [[Tragic Black]]. The [[internet]] is playing a major role in the deathrock revival. There are [[websites]] devoted to the discussion deathrock [[music]], [[Band (music)|bands]] and [[fashions]] as well as horror movies, such as [http://www.deathrock.com deathrock.com] and [http://www.post-punk.com post-punk.com], plus [[Electronic mailing list|mailing lists]] for deathrockers on various online virtual communities, such as [[MySpace]].
|
|
There has been a shift to a more post-punk sound as a result of the influence of the European bands of the 80s. Second, there is the apolitical influence of [[psychobilly]] which discourages political debates that have the potential to fragment the scene (however a couple of famous death rock acts, [[TSOL]] and [[Rudimentary Peni]], were originally [[anarcho-punk]] bands, and there is still some slight crossover between the two scenes). The [[Drop Dead Festival]], which is similar to psychobilly’s Hootenanny, gives bands with smaller fan bases an opportunity to play before larger crowds.<ref>[http://www.metroactive.com/papers/metro/07.18.02/allshookdown-0229.html MetroActive.com]</ref>
|
There has been a shift to a more post-punk sound as a result of the influence of the European bands of the 80s. Second, there is the apolitical influence of [[psychobilly]] which discourages political debates that have the potential to fragment the scene (however a couple of famous death rock acts, [[TSOL]] and [[Rudimentary Peni]], were originally [[anarcho-punk]] bands, and there is still some slight crossover between the two scenes). The [[Drop Dead Festival]], which is similar to psychobilly’s Hootenanny, gives bands with smaller fan bases an opportunity to play before larger crowds.<ref>[http://www.metroactive.com/papers/metro/07.18.02/allshookdown-0229.html MetroActive.com]</ref>
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||
From beyond the grave or from: Deathrock – Revision history
Darqmann: Undid revision 212223561 by Theplanetsaturn (talk)
Undid revision 212223561 by Theplanetsaturn (talk)
| ? Previous revision | Revision as of 22:53, 13 May 2008 | ||
| Line 73: | Line 73: | ||
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Nearly 20 years after deathrock and goth first appeared on the music scenes in Southern California and London, the deathrock revival began in Southern California. During 1998 in [[Long Beach, California]], owners of the Que Sera, a local bar asked Jeremy “Jermz” Meza and friends, to throw a one-night “old school” Gothic Halloween party. After the success of the one-off party, the event quickly evolved into a regular deathrock club called Release the Bats<ref>[http://www.releasethebats.info/ ReleaseTheBats.info]</ref> and a focal point in California for the reemerging deathrock movement. (The club is named after a song by the Australian band [[The Birthday Party (band)|the Birthday Party]].)
|
Nearly 20 years after deathrock and goth first appeared on the music scenes in Southern California and London, the deathrock revival began in Southern California. During 1998 in [[Long Beach, California]], owners of the Que Sera, a local bar asked Jeremy “Jermz” Meza and friends, to throw a one-night “old school” Gothic Halloween party. After the success of the one-off party, the event quickly evolved into a regular deathrock club called Release the Bats<ref>[http://www.releasethebats.info/ ReleaseTheBats.info]</ref> and a focal point in California for the reemerging deathrock movement. (The club is named after a song by the Australian band [[The Birthday Party (band)|the Birthday Party]].)
|
||
| - |
The current deathrock movement is similar to the original deathrock scene in Los Angeles and the Batcave movement in London,<ref>[http://kisskissbangbang.bravehost.com/faq1.html KissKissBangBang.com]</ref> but more unified in the US, UK, and Europe through various record labels. In addition to clubs, the current scene is centered around concerts, special events, parties, and horror movie screenings, as well as bands like Ex-VoTo,Cinema Strange, [[Bloody Dead And Sexy]], [[Chants of Maldoror]], and [[Tragic Black]]. The [[internet]] is playing a major role in the deathrock revival. There are [[websites]] devoted to the discussion deathrock [[music]], [[Band (music)|bands]] and [[fashions]] as well as horror movies, such as [http://www.deathrock.com deathrock.com] and [http://www.post-punk.com post-punk.com], plus [[Electronic mailing list|mailing lists]] for deathrockers on various online virtual communities, such as [[MySpace]].
|
+ |
The current deathrock movement is similar to the original deathrock scene in Los Angeles and the Batcave movement in London,<ref>[http://kisskissbangbang.bravehost.com/faq1.html KissKissBangBang.com]</ref> but more unified in the US, UK, and Europe through various record labels. In addition to clubs, the current scene is centered around concerts, special events, parties, and horror movie screenings, as well as bands like Ex-VoTo,Cinema Strange, [[Bloody Dead And Sexy]], [[Chants of Maldoror]], [[Cauda Pavonis]] and [[Tragic Black]]. The [[internet]] is playing a major role in the deathrock revival. There are [[websites]] devoted to the discussion deathrock [[music]], [[Band (music)|bands]] and [[fashions]] as well as horror movies, such as [http://www.deathrock.com deathrock.com] and [http://www.post-punk.com post-punk.com], plus [[Electronic mailing list|mailing lists]] for deathrockers on various online virtual communities, such as [[MySpace]].
|
|
There has been a shift to a more post-punk sound as a result of the influence of the European bands of the 80s. Second, there is the apolitical influence of [[psychobilly]] which discourages political debates that have the potential to fragment the scene (however a couple of famous death rock acts, [[TSOL]] and [[Rudimentary Peni]], were originally [[anarcho-punk]] bands, and there is still some slight crossover between the two scenes). The [[Drop Dead Festival]], which is similar to psychobilly’s Hootenanny, gives bands with smaller fan bases an opportunity to play before larger crowds.<ref>[http://www.metroactive.com/papers/metro/07.18.02/allshookdown-0229.html MetroActive.com]</ref>
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There has been a shift to a more post-punk sound as a result of the influence of the European bands of the 80s. Second, there is the apolitical influence of [[psychobilly]] which discourages political debates that have the potential to fragment the scene (however a couple of famous death rock acts, [[TSOL]] and [[Rudimentary Peni]], were originally [[anarcho-punk]] bands, and there is still some slight crossover between the two scenes). The [[Drop Dead Festival]], which is similar to psychobilly’s Hootenanny, gives bands with smaller fan bases an opportunity to play before larger crowds.<ref>[http://www.metroactive.com/papers/metro/07.18.02/allshookdown-0229.html MetroActive.com]</ref>
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From beyond the grave or from: Deathrock – Revision history
Theplanetsaturn: v-band does not appear to be relevant. Please start discussion on talk page to debate inclusion.
v-band does not appear to be relevant. Please start discussion on talk page to debate inclusion.
| ? Previous revision | Revision as of 22:47, 13 May 2008 | ||
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Nearly 20 years after deathrock and goth first appeared on the music scenes in Southern California and London, the deathrock revival began in Southern California. During 1998 in [[Long Beach, California]], owners of the Que Sera, a local bar asked Jeremy “Jermz” Meza and friends, to throw a one-night “old school” Gothic Halloween party. After the success of the one-off party, the event quickly evolved into a regular deathrock club called Release the Bats<ref>[http://www.releasethebats.info/ ReleaseTheBats.info]</ref> and a focal point in California for the reemerging deathrock movement. (The club is named after a song by the Australian band [[The Birthday Party (band)|the Birthday Party]].)
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Nearly 20 years after deathrock and goth first appeared on the music scenes in Southern California and London, the deathrock revival began in Southern California. During 1998 in [[Long Beach, California]], owners of the Que Sera, a local bar asked Jeremy “Jermz” Meza and friends, to throw a one-night “old school” Gothic Halloween party. After the success of the one-off party, the event quickly evolved into a regular deathrock club called Release the Bats<ref>[http://www.releasethebats.info/ ReleaseTheBats.info]</ref> and a focal point in California for the reemerging deathrock movement. (The club is named after a song by the Australian band [[The Birthday Party (band)|the Birthday Party]].)
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The current deathrock movement is similar to the original deathrock scene in Los Angeles and the Batcave movement in London,<ref>[http://kisskissbangbang.bravehost.com/faq1.html KissKissBangBang.com]</ref> but more unified in the US, UK, and Europe through various record labels. In addition to clubs, the current scene is centered around concerts, special events, parties, and horror movie screenings, as well as bands like Ex-VoTo,Cinema Strange, [[Bloody Dead And Sexy]], [[Chants of Maldoror]], [[Cauda Pavonis]] and [[Tragic Black]]. The [[internet]] is playing a major role in the deathrock revival. There are [[websites]] devoted to the discussion deathrock [[music]], [[Band (music)|bands]] and [[fashions]] as well as horror movies, such as [http://www.deathrock.com deathrock.com] and [http://www.post-punk.com post-punk.com], plus [[Electronic mailing list|mailing lists]] for deathrockers on various online virtual communities, such as [[MySpace]].
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The current deathrock movement is similar to the original deathrock scene in Los Angeles and the Batcave movement in London,<ref>[http://kisskissbangbang.bravehost.com/faq1.html KissKissBangBang.com]</ref> but more unified in the US, UK, and Europe through various record labels. In addition to clubs, the current scene is centered around concerts, special events, parties, and horror movie screenings, as well as bands like Ex-VoTo,Cinema Strange, [[Bloody Dead And Sexy]], [[Chants of Maldoror]], and [[Tragic Black]]. The [[internet]] is playing a major role in the deathrock revival. There are [[websites]] devoted to the discussion deathrock [[music]], [[Band (music)|bands]] and [[fashions]] as well as horror movies, such as [http://www.deathrock.com deathrock.com] and [http://www.post-punk.com post-punk.com], plus [[Electronic mailing list|mailing lists]] for deathrockers on various online virtual communities, such as [[MySpace]].
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There has been a shift to a more post-punk sound as a result of the influence of the European bands of the 80s. Second, there is the apolitical influence of [[psychobilly]] which discourages political debates that have the potential to fragment the scene (however a couple of famous death rock acts, [[TSOL]] and [[Rudimentary Peni]], were originally [[anarcho-punk]] bands, and there is still some slight crossover between the two scenes). The [[Drop Dead Festival]], which is similar to psychobilly’s Hootenanny, gives bands with smaller fan bases an opportunity to play before larger crowds.<ref>[http://www.metroactive.com/papers/metro/07.18.02/allshookdown-0229.html MetroActive.com]</ref>
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There has been a shift to a more post-punk sound as a result of the influence of the European bands of the 80s. Second, there is the apolitical influence of [[psychobilly]] which discourages political debates that have the potential to fragment the scene (however a couple of famous death rock acts, [[TSOL]] and [[Rudimentary Peni]], were originally [[anarcho-punk]] bands, and there is still some slight crossover between the two scenes). The [[Drop Dead Festival]], which is similar to psychobilly’s Hootenanny, gives bands with smaller fan bases an opportunity to play before larger crowds.<ref>[http://www.metroactive.com/papers/metro/07.18.02/allshookdown-0229.html MetroActive.com]</ref>
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From beyond the grave or from: Deathrock – Revision history
Darqmann: Undid revision 212215801 by Theplanetsaturn (talk)
Undid revision 212215801 by Theplanetsaturn (talk)
| ? Previous revision | Revision as of 22:26, 13 May 2008 | ||
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Nearly 20 years after deathrock and goth first appeared on the music scenes in Southern California and London, the deathrock revival began in Southern California. During 1998 in [[Long Beach, California]], owners of the Que Sera, a local bar asked Jeremy “Jermz” Meza and friends, to throw a one-night “old school” Gothic Halloween party. After the success of the one-off party, the event quickly evolved into a regular deathrock club called Release the Bats<ref>[http://www.releasethebats.info/ ReleaseTheBats.info]</ref> and a focal point in California for the reemerging deathrock movement. (The club is named after a song by the Australian band [[The Birthday Party (band)|the Birthday Party]].)
|
Nearly 20 years after deathrock and goth first appeared on the music scenes in Southern California and London, the deathrock revival began in Southern California. During 1998 in [[Long Beach, California]], owners of the Que Sera, a local bar asked Jeremy “Jermz” Meza and friends, to throw a one-night “old school” Gothic Halloween party. After the success of the one-off party, the event quickly evolved into a regular deathrock club called Release the Bats<ref>[http://www.releasethebats.info/ ReleaseTheBats.info]</ref> and a focal point in California for the reemerging deathrock movement. (The club is named after a song by the Australian band [[The Birthday Party (band)|the Birthday Party]].)
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| - |
The current deathrock movement is similar to the original deathrock scene in Los Angeles and the Batcave movement in London,<ref>[http://kisskissbangbang.bravehost.com/faq1.html KissKissBangBang.com]</ref> but more unified in the US, UK, and Europe through various record labels. In addition to clubs, the current scene is centered around concerts, special events, parties, and horror movie screenings, as well as bands like Ex-VoTo,Cinema Strange, [[Bloody Dead And Sexy]], [[Chants of Maldoror]], and [[Tragic Black]]. The [[internet]] is playing a major role in the deathrock revival. There are [[websites]] devoted to the discussion deathrock [[music]], [[Band (music)|bands]] and [[fashions]] as well as horror movies, such as [http://www.deathrock.com deathrock.com] and [http://www.post-punk.com post-punk.com], plus [[Electronic mailing list|mailing lists]] for deathrockers on various online virtual communities, such as [[MySpace]].
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+ |
The current deathrock movement is similar to the original deathrock scene in Los Angeles and the Batcave movement in London,<ref>[http://kisskissbangbang.bravehost.com/faq1.html KissKissBangBang.com]</ref> but more unified in the US, UK, and Europe through various record labels. In addition to clubs, the current scene is centered around concerts, special events, parties, and horror movie screenings, as well as bands like Ex-VoTo,Cinema Strange, [[Bloody Dead And Sexy]], [[Chants of Maldoror]], [[Cauda Pavonis]] and [[Tragic Black]]. The [[internet]] is playing a major role in the deathrock revival. There are [[websites]] devoted to the discussion deathrock [[music]], [[Band (music)|bands]] and [[fashions]] as well as horror movies, such as [http://www.deathrock.com deathrock.com] and [http://www.post-punk.com post-punk.com], plus [[Electronic mailing list|mailing lists]] for deathrockers on various online virtual communities, such as [[MySpace]].
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There has been a shift to a more post-punk sound as a result of the influence of the European bands of the 80s. Second, there is the apolitical influence of [[psychobilly]] which discourages political debates that have the potential to fragment the scene (however a couple of famous death rock acts, [[TSOL]] and [[Rudimentary Peni]], were originally [[anarcho-punk]] bands, and there is still some slight crossover between the two scenes). The [[Drop Dead Festival]], which is similar to psychobilly’s Hootenanny, gives bands with smaller fan bases an opportunity to play before larger crowds.<ref>[http://www.metroactive.com/papers/metro/07.18.02/allshookdown-0229.html MetroActive.com]</ref>
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There has been a shift to a more post-punk sound as a result of the influence of the European bands of the 80s. Second, there is the apolitical influence of [[psychobilly]] which discourages political debates that have the potential to fragment the scene (however a couple of famous death rock acts, [[TSOL]] and [[Rudimentary Peni]], were originally [[anarcho-punk]] bands, and there is still some slight crossover between the two scenes). The [[Drop Dead Festival]], which is similar to psychobilly’s Hootenanny, gives bands with smaller fan bases an opportunity to play before larger crowds.<ref>[http://www.metroactive.com/papers/metro/07.18.02/allshookdown-0229.html MetroActive.com]</ref>
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From beyond the grave or from: Deathrock – Revision history